Saturday, 8 November 2025

Alice's Restaurant

 "Alice's Restaurant Massacree", commonly known as "Alice's Restaurant", is a satirical talking blues song by singer-songwriter Arlo Guthrie, released as the title track to his 1967 debut album Alice's Restaurant. The song is a deadpan protest against the Vietnam War draft, in the form of a comically exaggerated but largely true story from Guthrie's own life: while visiting acquaintances in Stockbridge, Massachusetts, he is arrested and convicted of dumping trash illegally, which later endangers his suitability for the military draft. The title refers to a restaurant owned by one of Guthrie's friends, artist Alice Brock. Although Brock is a minor character in the story, the restaurant plays no role in it aside from being the subject of the chorus and the impetus for Guthrie's visit.

The song inspired the 1969 film Alice's Restaurant, which starred Guthrie and took numerous liberties with the story. The work has become Guthrie's signature song and he has periodically re-released it with updated lyrics. In 2017, it was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

The song consists of a protracted spoken monologue, with a constantly repeated fingerstyle Piedmont blues ragtime guitar backing and light brush-on-snare drum percussion (the drummer on the record is uncredited). This is bookended by a short chorus about the titular restaurant. Arlo Guthrie has used the brief "Alice's Restaurant" bookends and guitar backing for other monologues bearing the "Alice's Restaurant" name.

The track lasts 18 minutes and 34 seconds, occupying the entire A-side of the Alice's Restaurant album. Due to Guthrie's rambling and circuitous telling with unimportant details, it has been described as a shaggy dog story.

Guthrie refers to the incident as a "massacree", a colloquialism originating in the Ozark Mountains that describes "an event so wildly and improbably and baroquely messed up that the results are almost impossible to believe". It is a corruption of the word massacre, but carries a much lighter and more sarcastic connotation, rather than describing anything involving actual death.

Guthrie introduces the song as "Alice's Restaurant," noting that the restaurant itself does not call itself Alice's Restaurant. He then sings the chorus, which is in the form of a jingle for the restaurant, beginning with "You can get anything you want at Alice's restaurant" twice, and continuing with directions to it before restating the slogan once more.

Guthrie recounts events that took place in 1965 (two years prior to the time of the original recording), when he and a friend spent Thanksgiving Day at a deconsecrated church on the outskirts of Stockbridge, Massachusetts, which their friends Alice and Ray had been using as a home. As a favor to them, Guthrie and the friend volunteered to take their large accumulation of garbage to the local dump in their VW Microbus, not realizing until they arrived there that the dump would be closed for the holiday. They eventually noticed another pile of trash that had previously been dumped off a cliff near a side road, and added theirs to the accumulation before returning to the church for Thanksgiving dinner.

The next morning, the church received a phone call from the local police chief, "Officer Obie", saying that an envelope in the garbage pile had been traced back to them. Guthrie, stating "I cannot tell a lie" and with tongue in cheek, confessed that he "put that envelope underneath" the garbage. He and his friend drove to the police station, expecting a verbal reprimand and to be required to clean up the garbage, but they were instead arrested, handcuffed, and taken to the scene of the crime. There, Obie and a crew of police officers from the surrounding areas collected extensive forensic evidence of the litter, including "twenty-seven 8-by-10 color glossy pictures with circles and arrows and a paragraph on the back of each one explaining what each one was, to be used as evidence against us" amid a media circus of local media trying to get news stories on the littering. The young men were briefly jailed, with Obie taking drastic precautions to prevent Guthrie from escaping or committing suicide. After a few hours, Alice bailed them out and held another Thanksgiving dinner.

Guthrie and his friend stood trial the next day. When Obie saw that the judge relied upon a seeing-eye dog, he realized that the officers' meticulous work had been foiled by a literal "case of American blind justice", as the judge would not be able to see the evidence. Guthrie and his friend paid a fine of $50 (equivalent to $498.89 in 2024) to the court, and were ordered to pick up the garbage, in the snow.

Guthrie then states that the littering incident was "not what I came to tell you about" and shifts to another story, this one based at the Army Building on Whitehall Street in New York City as Guthrie appeared for a physical exam related to the Vietnam War draft. He tried various strategies to be found unfit for military service, including getting drunk the night before so he was hung over, and attempting to convince the psychiatrist that he was homicidal, which only earned him praise.

After several hours, Guthrie was asked whether he had ever been convicted of a crime. He nodded, began to tell his story, and was sent to the "Group W" bench to file for a moral waiver. The other convicts ("mother-rapers... father-stabbers... father-rapers") were initially put off that his conviction had been for littering, but accepted him when he added "and creating a nuisance". When Guthrie noticed one of the questions on the paperwork asked whether he had rehabilitated himself since the crime, he noted the irony of having to prove himself reformed from a crime of littering when the realities of war were often far more brutal. The officer in charge of the induction process commented, "We don't like your kind", rejected Guthrie and sent his fingerprints to the federal government to be put on file.

In the final part of the song, Guthrie explains to the live audience that anyone finding themselves in a similar situation should walk into the military psychiatrist's office, sing the opening line from the chorus and walk out. He predicts that a single person doing it would be rejected as "sick" and that two people in harmony would be rejected as "faggots", but that once three people started doing it they would begin to suspect "an organization" and 50 people a day would be recognized as "the Alice's Restaurant Anti-Massacree Movement". As he continues fingerpicking, he invites the audience to sing the chorus along with him "the next time it comes around on the guitar". When they do so, Guthrie claims that their singing "was horrible", and challenges them to sing it with him "with four-part harmony and feeling". Guthrie and the crowd then sing the chorus, and the song concludes.

Guthrie cited the long-form monologues of Lord Buckley and Bill Cosby, and the movies of Charlie Chaplin, as inspirations for the song's lyrics, and a number of different musicians (in particular Mississippi John Hurt) as inspirations for the Piedmont fingerstyle guitar accompaniment, noting that he took about "two seconds" to come up with the accompaniment because he wanted something easy to play mindlessly while narrating the story. The song was written as the events happened over the course of approximately one year; it grew out of a simple joke riff Guthrie had been working on in 1965 and 1966 before he appeared before the draft board (the opening was originally written as "you can hide from Obanhein at Alice's restaurant", which is how the restaurant got tied into the original story), and he later added his experience before the draft board to create the song as it is known today. Additional portions of the song were written during one of Guthrie's many stays with the English songwriter and music journalist Karl Dallas and his family in London. Guthrie sent a demo recording of the song to his father Woody Guthrie on his deathbed; it was, according to a "family joke", the last thing Woody heard before he died in October 1967. Because of the song's length, Guthrie never expected it to be released, because such extended monologues were extremely rare in an era when singles were typically less than three minutes.

"Alice's Restaurant" was first performed publicly with Guthrie singing live on Radio Unnameable, the overnight program hosted by Bob Fass that aired on New York radio station WBAI, one evening in February 1967, following a year of Guthrie honing the song at various small venues. (The exact date of the first recording has also been identified as 1966.) The initial performance was part of an impromptu supergroup at the WBAI studios that included David BrombergJerry Jeff Walker and Ramblin' Jack Elliot. Guthrie performed the song several times live on WBAI in 1967 before its commercial release. By May 1967, the song had proved so popular that at one point Fass (who was known for playing songs he liked over and over again in his graveyard slot) started playing a recording of one of Guthrie's live performances of the song repeatedly; eventually the non-commercial station rebroadcast it only when listeners pledged to donate a large amount of money. (Fass subverted it and occasionally asked for donations to get him to stop playing the recording.)

"Alice's Restaurant" was performed on July 17, 1967, at the Newport Folk Festival in a workshop or breakout section on "topical songs", where it was such a hit that he was called upon to perform it for the entire festival audience. The song's success at Newport and on WBAI led Guthrie to record it in front of a studio audience in New York City and release it as side one of the album Alice's Restaurant in October 1967. Guthrie noted that the studio recording combined some of the worst elements of both studio and live recording, in that the audience chosen for the record had already heard him perform the song repeatedly, but because of the audience, he had to record the song and album in one take.

The original album spent 16 weeks on the Billboard 200 album chart, peaking at #29 during the week of March 2, 1968, then reentered the chart on December 27, 1969, after the film version was released, peaking that time at #63. In the wake of the film version, Guthrie recorded a more single-friendly edit of the chorus in 1969. Titled "Alice's Rock & Roll Restaurant", it included three verses, all of which advertise the restaurant, and a fiddle solo by country singer Doug Kershaw; to fit the song on a record, the monologue was removed, bringing the song's length to 4:43. This version, backed with "Ring Around the Rosy Rag" (a cut from the Alice's Restaurant album), peaked at #97 on the Billboard Hot 100, and #64 in Canada. Because the single did not reach the popularity of the full version, which did not qualify for the Hot 100 because of its length, Billboard officially classifies Guthrie as a one-hit wonder for his later hit "City of New Orleans".

After the release of the original album, Guthrie continued to perform the song in concert, regularly revising and updating the lyrics. In 1969, for instance, he performed a 20-minute rendition of the song that, instead of the original narrative, told a fictional story of how Russian and Chinese military operatives attempted to weaponize "multicolored rainbow roaches" they had found at Alice's restaurant, and the Lyndon Johnson administration orchestrated a plan for the nation to defend itself. A recording of this version titled "Alice: Before Time Began" was released in 2009 on the album Tales of '69 distributed by Guthrie's Rising Son Records label; another recording of this version, titled "The Alice's Restaurant Multicolored Rainbow Roach Affair", was also released on that label. In 1970, the song was used as an anthem for WBAI's sister station KPFT-FM in Houston, Texas, after that station had repeatedly been bombed by the Ku Klux Klan; Guthrie came and performed the song live after the station returned to the air following the second bombing.

It has become a tradition for many classic rock and adult album alternative radio stations to play the song each Thanksgiving. Despite its mention of the slur "faggots", radio stations generally present the song as originally recorded, and the Federal Communications Commission has never punished a station for playing it. When performing the song in later years, Guthrie began to change the line to something less offensive and often topical: during the 1990s and 2000s, the song alluded to the Seinfeld 1993 fourth season episode "The Outing" by saying "They'll think you're gay—not that there's anything wrong with that," and in 2015, Guthrie used the line "They'll think they're trying to get married in some parts of Kentucky", a nod to the controversy of the time surrounding county clerk Kim Davis.

By the late 1970s, Guthrie had removed the song from his regular concert repertoire. In 1984, Guthrie, who was supporting George McGovern's ultimately unsuccessful comeback bid for the Democratic presidential nomination, revived "Alice's Restaurant" to protest the Reagan Administration's reactivation of the Selective Service System registrations. That version has not been released on a commercial recording; at least one bootleg of it from one of Guthrie's performances exists. It was this tour, which occurred near the 20th anniversary of the song (and continued as a general tour after McGovern dropped out of the race), that prompted Guthrie to return the song to his playlist every ten years, usually coinciding with the anniversary of either the song or the incident. The 30th anniversary version of the song includes a follow-up recounting how he learned that Richard Nixon had owned a copy of the song, and he jokingly suggested that this explained the famous 18½-minute gap in the Watergate tapes.

Guthrie rerecorded his entire debut album for his 1997 CD Alice's Restaurant: The Massacree Revisited, on the Rising Son label, which includes this expanded version. The 40th anniversary edition, performed at and released as a recording by the Kerrville Folk Festival, made note of some parallels between the 1960s and the Iraq War and George W. Bush administration. Guthrie revived the song for the 50th anniversary edition in 2015, which he expected would be the last time he would do so. In 2018, at which point he decided he was too old to care about overplaying the song anymore, Guthrie began the Alice's Restaurant: Back by Popular Demand Tour, reuniting with members of his 1970s backing band Shenandoah. The tour, which features Guthrie's daughter Sarah Lee Guthrie as the opening act, was scheduled to wrap up in 2020. To justify bringing the song back out of its usual ten-year sequence, he stated that he was doing so to commemorate the 50th anniversary of the film version of the song. The tour ended in 2019 and was later confirmed to have been Guthrie's last; he suffered a career-ending stroke in November of that year and announced his retirement in October 2020.

In a 2014 interview with Rolling Stone, Guthrie said he believed there are such things as just wars, and that the message of this song was targeted at the Vietnam War in particular. Interviews with Ron Bennington in 2009 and NPR in 2005 describe the song not so much as anti-war but as "anti-stupidity". Guthrie considered the song as relevant in 2015 as it was in 1965, particularly in that Millennials and Generation Z were, much like the Baby Boomers of his era, beginning to coalesce as a bloc in opposition to the "very sophisticated manipulation" from major authority figures and institutions of the era, something that Guthrie believed Baby Boomers would find familiar.

Most of the events of the story are true; the littering incident was recorded in the local newspaper at the time it happened, and although Guthrie made some minor embellishments, the persons mentioned in the first half of the story all granted interviews on the subject, mostly verifying that part of the story. The second half of the story does not have as much specific corroborating evidence to support it; the public exposure of COINTELPRO in 1971 confirmed that the federal government was collecting personal information on anti-war protesters as Guthrie alleged, and Guthrie's father was known to have been on the FBI watchlists due to his Communist sympathies.

To download the easy alphanotes sheet music, look here. Enjoy!










Saturday, 25 October 2025

The Wreck of the Edmund Fitzgerald

 The Wreck of the Edmund Fitzgerald is a 1976 folk rock ballad written, composed and performed by the Canadian singer-songwriter Gordon Lightfoot to memorialize the sinking of the bulk carrier SS Edmund Fitzgerald in Lake Superior on November 10, 1975. Lightfoot considered this song to be his finest work. Appearing originally on his 1976 album Summertime Dream, Lightfoot re-recorded the song in 1988 for the compilation album Gord's Gold, Vol. 2. "The Wreck of the Edmund Fitzgerald" was a hit for Lightfoot, reaching number 1 in his native Canada in the RPM chart and number 2 in the Billboard Hot 100 in the United States. 

The song chronicles the final voyage of the Edmund Fitzgerald as it succumbed to a massive late-season storm and sank in Lake Superior with the loss of all 29 crewmen. Lightfoot drew inspiration from news reports he gathered in the immediate aftermath, particularly "The Cruelest Month", published in Newsweek magazine's November 24, 1975, issue. Lightfoot's passion for recreational sailing on the Great Lakes informs his ballad's verses throughout.

Recorded before the ship's wreckage could be examined, the song contains some artistic conjectures, omissions and paraphrases. In later interviews, Lightfoot recounted how he had agonized over possible inaccuracies while trying to pen the lyrics until his lead guitarist Terry Clements convinced him to do what Clements' favourite author Mark Twain would have advised: just tell a story.

In March 2010, Lightfoot changed a line during live performances to reflect new findings that there had been no crew error involved in the sinking. The line originally read, "At 7 p.m. a main hatchway caved in; he said..."; Lightfoot began singing it as "At 7 p.m. it grew dark, it was then he said..." Lightfoot learned about the new research when contacted for permission to use his song for a History Channel documentary that aired on March 31, 2010. Lightfoot stated that he had no intention of changing the original copyrighted lyrics; instead, from then on, he simply sang the new lyrics during live performances. Lightfoot also changed the description of the Mariners' Church of Detroit ("the Maritime Sailors' Cathedral") from a "musty old hall" to a "rustic old hall".

The song follows 6/8 time and is in the key of B Mixolydian mode. The melody for the song was later adapted by Bobby Sands for his song "Back Home in Derry". When asked about the similarity and why he did not pursue copyright infringement, Lightfoot said that the melody was "just an old Irish folk song; an old Irish dirge. I think I took it from that. It's all folk music and it's all out there for everyone to enjoy."

The song narrates the final and difficult journey of the Edmund Fitzgerald through the storm and the frantic moments before the shipwreck. The lyrics were strongly inspired by the article "The Cruelest Month", which appeared on 24 November 1975 in Newsweek magazine, which, in addition to reporting the disaster, also illustrated the legends of the Chippewa Indians on Lake Superior, which are in fact mentioned in the song. A recurring theme of the song is the violence of the bad weather in the late autumn season on the Great Lakes in November, which would ultimately lead to the catastrophe of the Fitzgerald. For example, one of the central laments in the lyrics of the song speak of the nearness of safe harbor in the presence of immanent disaster stating:

Does any one know where the love of God goes
when the waves turn the minutes to hours?
The searchers all say they'd have made Whitefish Bay
if they'd put fifteen more miles behind 'er

Lightfoot, unable to know exactly how the tragedy had unfolded, by his own admission took some artistic liberties in imagining its dynamics, for example by stating in one verse that the ship's doors had not been closed properly and thus implicitly attributing the responsibility to the crew itself. After complaints from the families of the victims, Lightfoot modified the verse, making the moment of the shipwreck more nuanced and suggestive.

During the following years the author, who was surprised by the enormous success of the song, was open to rework the lyrics in light of new developments in the investigations into the disaster and the public's sensitivity. Although he declared that he did not officially want to modify the original lyrics of the song, often during live performances Lightfoot used to vary some verses to "update" it, or to meet the requests of the public and the families of the victims. For example, in the original lyrics the church that commemorates the shipwreck is "a musty old hall", while after the complaints of a parishioner Lightfoot changed the passage to "a rustic old hall". 

The song was recorded in December 1975 at Eastern Sound, a recording studio composed of two Victorian houses at 48 Yorkville Avenue in a then-hippie district of downtown Toronto. The studio was later demolished and replaced by a parking lot. Pee Wee Charles and Terry Clements came up with "the haunting guitar and steel riffs" on a "second take" during the evening session. The song was the first commercial digital multitrack recording on the 3M 32-track digital recorder – a prototype technology at the time. 

Lightfoot's single version hit number 1 in his native Canada (in the RPM national singles survey) on November 20, 1976, barely a year after the disaster. In the United States, it reached number 1 in Cashbox and number 2 for two weeks in the Billboard Hot 100 (behind Rod Stewart's "Tonight's the Night"), making it Lightfoot's second-most successful single, behind only "Sundown". Overseas it was at best a minor hit, peaking at number 40 in the UK Singles Chart

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:

The legend lives on from the Chippewa on downOf the big lake they call Gitche GumeeThe lake, it is said, never gives up her deadWhen the skies of November turn gloomyWith a load of iron ore twenty-six thousand tons moreThan the Edmund Fitzgerald weighed emptyThat good ship and true was a bone to be chewedWhen the gales of November came early
The ship was the pride of the American sideComing back from some mill in WisconsinAs the big freighters go, it was bigger than mostWith a crew and good captain well seasonedConcluding some terms with a couple of steel firmsWhen they left fully loaded for ClevelandAnd later that night when the ship's bell rangCould it be the north wind they'd been feelin'?
The wind in the wires made a tattle-tale soundAnd a wave broke over the railingAnd every man knew, as the captain did tooT'was the witch of November come stealin'The dawn came late and the breakfast had to waitWhen the gales of November came slashin'When afternoon came it was freezin' rainIn the face of a hurricane west wind
When suppertime came, the old cook came on deck sayin'"Fellas, it's too rough to feed ya"At 7 PM, a main hatchway caved in, he said"Fellas, it's been good to know ya"The captain wired in he had water comin' inAnd the good ship and crew was in perilAnd later that night when his lights went outta sightCame the wreck of the Edmund Fitzgerald
Does any one know where the love of God goesWhen the waves turn the minutes to hours?The searchers all say they'd have made Whitefish BayIf they'd put fifteen more miles behind herThey might have split up or they might have capsizedThey may have broke deep and took waterAnd all that remains is the faces and the namesOf the wives and the sons and the daughters
Lake Huron rolls, Superior singsIn the rooms of her ice-water mansionOld Michigan steams like a young man's dreamsThe islands and bays are for sportsmenAnd farther below Lake OntarioTakes in what Lake Erie can send herAnd the iron boats go as the mariners all knowWith the gales of November remembered
In a musty old hall in Detroit they prayedIn the maritime sailors' cathedralThe church bell chimed 'til it rang twenty-nine timesFor each man on the Edmund FitzgeraldThe legend lives on from the Chippewa on downOf the big lake they call Gitche GumeeSuperior, they said, never gives up her deadWhen the gales of November come early









Saturday, 18 October 2025

The Sound of Silence

 Sounds of Silence is the second studio album by the American folk rock duo Simon & Garfunkel, released on January 17, 1966. The album's title is a slight modification of the title of the duo's first major hit, "The Sound of Silence", which originally was released as "The Sounds of Silence". The song had earlier been released in an acoustic version on the album Wednesday Morning, 3 A.M., and later on the soundtrack to the movie The Graduate. Without the knowledge of Paul Simon or Art Garfunkel, electric guitars, bass and drums were overdubbed under the direction of Columbia Records staff producer Tom Wilson on June 15, 1965. This new version was released as a single in September 1965, and opens the album.

"Homeward Bound" was released on the album in the UK, placed at the beginning of Side 2 before "Richard Cory". It was later released in the US on the following album, Parsley, Sage, Rosemary and Thyme. It was also released as part of the box set Simon & Garfunkel Collected Works, on both LP and CD. Many of the songs in the album had been written by Paul Simon while he lived in London during 1965.

Solo acoustic versions of "I Am a Rock", "Leaves That Are Green", "April Come She Will", "A Most Peculiar Man", and "Kathy's Song" had appeared on The Paul Simon Songbook, released in August 1965 in England as had another version of the title track. "Richard Cory" was based on the poem "Richard Cory" by Edwin Arlington Robinson, "Somewhere They Can't Find Me" was essentially a rewrite of the previous album's "Wednesday Morning, 3 A.M.", "We've Got a Groovy Thing Goin'" had appeared on the b-side of "The Sound of Silence" a few months before and "Anji" was a cover of an instrumental piece by guitarist Davey Graham whom Simon had met in England. Hence the only brand new Paul Simon composition on the album was "Blessed".

The album is also included in its entirety as part of the Simon & Garfunkel box sets Collected Works and The Columbia Studio Recordings (1964–1970). On March 22, 2013, it was announced that the album will be preserved by the Library of Congress in the National Recording Registry, calling it "culturally, historically, or aesthetically significant." 

The album cover photo features the duo on a trail looking back towards the camera. It was shot at Franklin Canyon Park in Los AngelesCalifornia. The secondary school scarves they are wearing were from The Campion SchoolHornchurch, UK. This school was attended by the boys of the Brentwood family, where Paul lodged during his time in the UK.[citation needed] The back of the LP has candid shots of the duo and quotes a few lyrics from each song.

There are three variations of the original LP's artwork. The first issue lists the duo's names' fully capitalized on one line, the album title fully capitalized on another, and no song titles. The second issue capitalizes only the first letter of each word, and features the tracklist. The third has the same front cover as the second, but the back cover airbrushes out the copies of Tiger Beat magazine Garfunkel is holding in the photos.

The original LP label mistakenly spells "Anji" as "Angie" and credits it to Bert Jansch, who had recorded it for his 1965 debut album. The back cover of the original LP sleeve properly credits Davey Graham as composer but retains the "Angie" misspelling. Both errors were corrected for subsequent reissues.

On older LP and CD issues of the album, "The Sound of Silence" is titled as "The Sounds of Silence" on both the cover and label, and "We've Got a Groovy Thing Goin'" is titled "We've Got a Groovey Thing Goin'".

To download the easy alphanotes sheet music, look here. Enjoy!