Sunday, 1 October 2023

Wellerman (Sea Shanty)

"Soon May the Wellerman Come", also known as "Wellerman" or "The Wellerman", is a folk song in ballad style first published in New Zealand in the 1970s. The song refers to the "wellermen", pointing to supply ships owned by the Weller brothers, who were amongst the earliest European settlers of Otago.
In early 2021, a cover by Scottish singer Nathan Evans became a viral hit on the social media site TikTok, leading to a "social media craze" around sea shanties and maritime songs. 

The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George and Joseph, who had immigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. Speaking at centennial celebrations in 1931, New Zealand's Governor General Lord Bledisloe recalled how the Weller brothers had on their voyage to New Zealand "brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder...and some at least were rum characters". From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named "Otago" in approximation of the local Māori pronunciation. Their employees became known as "wellermen". Unlike whaling in the Atlantic and northern Pacific, whalers in New Zealand practised shore-based whaling which required them to process the whale carcasses on land. The industry drew whalers to New Zealand from a diverse range of backgrounds encompassing not just the British Isles but also Indigenous peoples of the AmericasPacific Islanders and Indigenous Australians. The whalers depended on good relations with the local Māori people and the whaling industry integrated Māori into the global economy and produced hundreds of intermarriages between whalers and local Māori, including Edward Weller himself, who was twice married to Māori women, thus linking the Wellers to one of the most prominent local Māori families, the Ellisons.

At its peak in 1834, the Otakou station was producing 310 tons of whale oil a year and became the centre of a network of seven stations that formed a highly profitable enterprise for the Wellers, employing as many as 85 people at Otago alone. From the Otakou base the Wellers branched out into industries as diverse as "timber, spars, flax, potatoes, dried fish, Māori artefacts, and even tattooed Māori heads which were in keen demand in Sydney". However, given that the Colony of New Zealand would not be declared until 1840, the Wellers were treated as foreign traders and were affected by protectionist British import tariffs on whale oil. By 1835, the year that Joseph Weller died in Otago, the brothers became convinced of the need to abandon the station even as they branched out into massive land purchases in New Zealand, which amounted to nearly 3 million acres (12,000 km2) by 1840. The Weller brothers' success in the whaling industry was fleeting, and they were declared bankrupt in 1840 after failed attempts at large-scale land purchase in New South Wales. The Otakou station closed in 1841. In 1841, the Court of Claims in New South Wales ruled that the Weller brothers' purchases of land in New Zealand were legally invalid, after which the Wellers "slipped unobtrusively out of the pages of New Zealand history". Commercial whaling in New Zealand continued until the 1960s.

The song's lyrics describe a whaling ship called the Billy o' Tea and its hunt for a right whale. The song describes how the ship's crew hope for a "wellerman" to arrive and bring them supplies of luxuries.

"Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguin' is done
We'll take our leave and go"

"Wellerman" chorus

According to the song's listing on the website New Zealand Folk Song, "the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco." The chorus continues with the crew singing of their confidence that the "tonguin'" will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making "his regular call" to strengthen the captain and crew. 

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:
There once was a ship that put to sea
The name of the ship was the Billy of Tea
The winds blew up, her bow dipped down
Oh blow, my bully boys, blow (huh)

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguing is done
We'll take our leave and go

She'd not been two weeks from shore
When down on her a right whale bore
The captain called all hands and swore
He'd take that whale in tow (huh)

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguing is done
We'll take our leave and go

Da-da-da-da-da
Da-da-da-da-da-da-da
Da-da-da-da-da-da-da-da-da-da-da

Before the boat had hit the water
The whale's tail came up and caught her
All hands to the side, harpooned and fought her
When she dived down low (huh)

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguing is done
We'll take our leave and go

No line was cut, no whale was freed
The captain's mind was not of greed
And he belonged to the Whaleman's creed
She took that ship in tow (huh)

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguing is done
We'll take our leave and go

Da-da-da-da-da
Da-da-da-da-da-da-da
Da-da-da-da-da-da-da-da-da-da-da

For forty days or even more 
The line went slack then tight once more
All boats were lost, there were only four
But still that whale did go (huh)

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguing is done
We'll take our leave and go

As far as I've heard, the fight's still on
The line's not cut, and the whale's not gone
The Wellerman makes his regular call
To encourage the captain, crew and all (huh)

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguing is done
We'll take our leave and go

Soon may the Wellerman come
To bring us sugar and tea and rum
One day, when the tonguing is done
We'll take our leave and go





















Tuesday, 26 September 2023

Janey Girl

 Janey Girl is a folk song by Guyanan. I am not able to find much information on the web about this folk song. 

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:

Long, long time,
A we no go bakdam,
Come leh we go bakdam.
Oh, come leh we go bakdam.

Long, long time,
A we no go bakdam,
Come leh we go bakdam.
Oh, come leh we go bakdam.

Since we cut de cane,
A we no go bakdam, 
Come leh we go bakdam.
Oh, come leh we go bakdam.

All dem bwoy a say, 
A we no go bakdam,
Come leh we go bakdam.
Oh, come leh we go bakdam. 

Long, long time,
A we no go bakdam,
Come leh we go bakdam.
Oh, come leh we go bakdam.

Oh, come leh we go bakdam,
Oh, come leh we go bakdam, bakdam, 
come leh we go bakdam Yeh!




Friday, 22 September 2023

Little Sandy Girl

 This song originates from Tobago and is a popular circle game with various versions.

First, the song is catchy and easy to memorise. Action songs are always a fun way to promote literacy. The narrative nature of the Sandy Girl demonstrates how to tell a story. The rhyming of 'stone' with 'alone' possibly will arouse some older children's interest in looking for rhyming words. A useful tip is finding rhyming words for each other's name.

Another interesting learning outcome could be related to social development. The lyrics suggest a positive attitude/ strategy to make friends and initiate relationships. The song helps children to develop empathy, as they would learn to comfort a sad peer by playing with her. From my experience, when a younger child saw another child in distress, he might think she missed her mummy, whereas an older child might recognise the other child possibly needed company and friendships as well.

As always, action songs promote interests and knowledge in creativity. Children sing along will understand the difference between a singing voice

and speaking voice. Also, the dramatic component encourages children to improvise and express with body language and facial expression. I particularly like the ending of the song when the couple collaborate some sort of dance. While some children have a rich repertoire of dance moves, other children may not. The teacher may take advantage of the opportunity to guide the children, such as swing your hips and arms; hammering with your fists and so on. Remember, playing is learning, like the Australian early childhood curriculum says.

To download the easy alphanotes sheet music, look here. Enjoy!


Lyrics:

There was a little sandy girl sitting on a stone,

Weeping, crying all de day alone.

Rise up sandy girl, wipe your tears away,

Choose the one you love the best and run, run away.


other versions:

See the little Sandy Girl (or Boy)
Sitting on a stone
Weeping, crying, all the day alone
Stand up Sandy Girl (or Boy)
Wipe your tears away
Choose the one you love the most and dance, dance away
(child picks someone from the circle and they hold hands and dance)

(same tune)
Tra la la la la la la la la la
Tra la la la la la la la la la













Monday, 18 September 2023

The Meeting of the Waters

 The Meeting of the Waters is a wonderful song that conjures up a sense of warmth and friendship and links them to a beautiful location.

 It was written by Thomas Moore, one of the greatest Irish poets and songwriters of all time.

 Moore wrote numerous songs which have become Irish classics such as The Minstrel Boy, The Last Rose of Summer, and Believe Me If All Those Endearing Young Charms.

Thomas Moore Irish songwriter (National Portrait Gallery) wrote many Irish folk songs and ballads

Thomas Moore

Moore wrote the lyrics to The Meeting of the Waters in 1807 and it was later set to an old Irish melody with the rather curious title, The Old Head of Dennis.

 The Meeting of the Waters is the name of a well known beauty spot in the Vale of Avoca in Co Wicklow in Ireland.

As the name suggests, it’s the place where two rivers – the Avonmore and the Avonbeg – meet and flow into each other and form the River Avoca.

It’s not hard to see why Moore was enchanted by the scene and felt inspired to write his song. It was, and still remains, beautiful and idyllic.

However, it’s not just the natural beauty of the scene that gives the song its power and its appeal; it’s the evocation of love and friendship.

To download the easy alphanotes sheet music, look here. Enjoy!


Lyrics:

There is not in this wide world a valley so sweet

As that vale in whose bosom the bright waters meet,

Oh! the last rays of feeling and life must depart

Ere the bloom of that valley shall fade from my heart.

Ere the [D]bloom of that [G]valley shall fade my heart.

 

Yet it was not that Nature had shed o’er the scene

Her purest of crystal and brightest of green

‘Twas not her soft magic of streamlet or hill

Oh! no, it was something more exquisite still.

 

‘Twas that friends, the beloved of my bosom were near

Who made every dear scene of enchantment more dear

And who felt that the best charms of nature improve

When we see them reflected from looks that we love.

 

Sweet Vale of Avoca! how calm could I rest,

In thy bosom of shade, with the friends I love best

Where the storms that we feel in this cold world should cease

And our hearts, like thy waters, be mingled in peace.




































Thursday, 14 September 2023

The Lover's Curse

 'The Lover's Curse' was written by  by Herbert Hughes (1882 - 1937). 

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:
This one and that one will court him,
but e'er he gets any but me
both daily and hourly I'll curse them
that stole lovely Jamie from me.

Far in the land of the stranger
six hundred long miles o'er the sea,
to fight in the lowlands of Holland
they stole lovely Jamie from me.

Sadness and weeping are on me
for the lad that is over the sea,
but daily and hourly I'll curse them
that stole lovely Jamie from me. 










Sunday, 10 September 2023

The Young May Moon

 YOUNG MAY MOON [1], THE. AKA and see "Dandy O (2) (The)," "Gallant Tipperary," "Gallant Tippeary Boys (The)," "New May Moon," "Old Figary O'." English, Jig and Morris Dance Tune; Scottish, Jig. England, North West, Dorset. Scotland, Low Lands. D Major (Barber, Raven, Trim, Wade): C Major (Carlin, Kerr, Robbins, Williamson). Standard tuning (fiddle). AB (Raven): AAB (Williamson): ABB (Wade): AABB (Barber, Kerr, Robbins, Trim): AA'BB (Carlin). According to Robin Williamson, the tune was popular in the 19th century as a jig for country dances in South Scotland. The tune is in use as accompaniment for a single step dance in the North West (England) morris dance tradition, and (as "New May Moon") appears in a Yorkshire MS collection of the mid-19th century as well as the Hardy family mss. (Dorset) and Welch ms. It appears in a number of English and Scottish musicians' music manuscripts and printed collections of the early 19th century, including Davie's Caledonian Repository for Violin (1816), Glazier, Masters & Co. A Complete Preceptor for the Clarionet (c. 1828), and Z.T. Purday's Royal Keyed Bugle Tutor (c. 1830). However, the earliest appearance of the melody was printed as “Irish Air from Robin Hood” in Thompson’s Hibernian Muse of 1786 (No. 38).

The tune was employed as the regimental march-past of the 22nd (Cheshire) Regiment of the British army until 1881 (after which “Wha Wadnae Fecht for Charlie” was adopted (Murray, Music of the Scottish Regiments, 1994, p. 207).

The title "Young May Moon" comes from a song set to the tune by Thomas Moore (1779–1852) and published in his Irish Melodies; specified to be played to the air of "Dandy O (2) (The)."

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:

The young May moon is beaming, love.
The glow-worm's lamp is gleaming, love.
How sweet to rove,
Through Morna's grove,
When the drowsy world is dreaming, love!
Then awake! -- the heavens look bright, my dear,
'Tis never too late for delight, my dear,
And the best of all ways
To lengthen our days
Is to steal a few hours from the night, my dear!
Now all the world is sleeping, love,
But the Sage, his star-watch keeping, love,
And I, whose star,
More glorious far,
Is the eye from that casement peeping, love.
Then awake! -- till rise of sun, my dear,
The Sage's glass we'll shun, my dear,
Or, in watching the flight
Of bodies of light,
He might happen to take thee for one, my dear. 
































Wednesday, 6 September 2023

I Will Walk With My Love

 'I will walk with my love' is an Irish folksong. The composer is unknown.

To download the easy alphanotes sheet music, look here. Enjoy!


Lyrics:

I once loved a boy and a bold Irish boy

Who would come and go at my request

And this bold Irish boy was my pride and my joy

And I built him a bower in my breast

I once loved a boy and a bonny bonny boy

And a boy that I thought was my own

But he loved another far deeper than me

And has taken his flight and is gone

But this girl who has taken my bonny bonny boy

Let her make of him all that she can

And whether he loves me or loves me not

I will walk with my love now and then.































Saturday, 2 September 2023

The Rose of Tralee

  "The Rose of Tralee" is a nineteenth-century Irish ballad about a woman called Mary, who because of her beauty was called The Rose of Tralee. The Rose of Tralee International Festival had been inspired by the ballad.


The words of the song are credited to Edward Mordaunt Spencer and the music to Charles William Glover, but a story circulated in connection with the festival claims that the song was written by William Pembroke Mulchinock, out of love for Mary O'Connor, a poor maid in service to his family.

In 2019 the Rose of Tralee International Festival, as part of their 60th Anniversary living history promotion, employed the services of Dr. Andrea Nini, a forensic linguist working on cases of disputed authorship. His report concluded that a poem written by Tralee poet William Pembroke Mulchinock called Smile Mary My Darling was published and passed off by Edward Mordaunt Spencer in 1846 in his book of poetry The Heir of Abbotsville. This poem was adapted into a poem called The Rose of Tralee with the air being re-set by Charles William Glover from one of his previous ballads.

The song was sung by John McCormack in the film Song o' My Heart (1930).
In the film The Informer (1935), it is sung by Denis O'Dea.
Gordon MacRae sings the song in the film The Daughter of Rosie O'Grady (1950).

Bing Crosby recorded the song on 17 July 1945 for Decca Records with John Scott Trotter and his Orchestra and it was included in his album St. Patrick's Day.

It was sung by the cast at the end of the play Thirst (1942) by Flann O'Brien.

In the film The Luck of the Irish the song is sung by Irish tenor Jimmy O'Brien, who completes the song without missing a beat despite the outbreak of a brawl.

The song was used by the Ireland national rugby union team at the 1987 Rugby World Cup. It was a compromise choice instead of a national anthem, due to the political situation in Northern Ireland at the time.

The Rose of Tralee is referenced in the title track of Tom Waits' 1985 album Rain Dogs.

In the film Auntie Mame (1958), Brian O'Bannion (Robin Hughes) sings the first couplet of "The Rose of Tralee" as he finishes dressing to escort Mame (Rosalind Russell) to a black tie event to consider optioning the film rights of her autobiography to Warner Brothers.

In the movie Caddyshack "The Rose of Tralee" is mentioned by the character Maggie O'Hooligan, played by Sarah Holcomb, while working the dining room with Danny Noonan at Bushwood Country Club.

To download the easy alphanotes sheet music, look here. Enjoy!


Lyrics:


The pale moon was rising above the green mountain,
The sun was declining beneath the blue sea;
When I strayed with my love to the pure crystal fountain,
That stands in the beautiful Vale of Tralee.
She was lovely and fair as the rose of the summer,
Yet 'twas not her beauty alone that won me;
Oh no, 'twas the truth in her eyes ever dawning,
That made me love Mary, the Rose of Tralee.
The cool shades of evening their mantle were spreading,
And Mary all smiling was listening to me;
The moon through the valley her pale rays was shedding,
When I won the heart of the Rose of Tralee.
Though lovely and fair as the Rose of the summer,
Yet 'twas not her beauty alone that won me;
Oh no, 'twas the truth in her eyes ever dawning,
That made me love Mary the Rose of Tralee.
In the far fields of India, 'mid war's dreadful thunders,
Her voice was a solace and comfort to me,
But the chill hand of death has now rent us asunder,
I'm lonely tonight for the Rose of Tralee.
She was lovely and fair as the rose of the summer,
Yet 'twas not her beauty alone that won me;
Oh no, 'twas the truth in her eyes ever dawning,
That made me love Mary, The Rose of Tralee.