Saturday, 22 February 2025

Sweet Betsy from Pike

 "Sweet Betsy from Pike" is an American ballad about the trials of a pioneer named Betsy and her lover Ike who migrate from Pike County (theorized to be Pike County, Missouri) to California. This Gold Rush-era song, with lyrics published by John A. Stone in 1858, was collected and published in Carl Sandburg's 1927 American Songbag. It was recorded by Burl Ives on February 11, 1941, for his debut album Okeh Presents the Wayfaring Stranger.

The melody derives from a popular English comic song "Villikins and his Dinah", first published in London in 1853 and which had become a hit in America by 1855. Villikins and his Dinah closely parodies the lyrics of an old street ballad extant in England from the early 19th century, William and Diana; but it is unclear whether it simply borrowed the same melody as the existing ballad it parodies, or used a different tune written especially for theatrical performance.

Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. 

The final line of the verse about Betsy's drunkenness is often "censored" from "showed her bare arse to the whole wagon train" to "showed her pantaloons to the whole wagon train" or "made a great show for the whole wagon train". The latter line was used by Burl Ives and Connie Dover, among other artists.

Parts of the song are sung by characters in motion pictures such as The Absent-Minded ProfessorA Fistful of DollarsButch Cassidy and the Sundance Kid, and Wild Women.

Sam Sackett wrote his book Sweet Betsy from Pike, a novelization of the song, after hearing the song performed at an American Folklore Society meeting.

The tune was used for a song sung by the Muppet Folk Trio for a public tv PSA: "Let's keep our kids learnin' on public TV/To do it we need help from you and from me."

On October 7, 1971, on the show Alias Smith and Jonesthe song was sung by Jones, Smith and two other miners in a cave after earning $20,000 in gold on the episode "Smiler With A Gun." 

To download the easy alphanotes sheet music, look here. Enjoy! 

Lyrics:

Oh don't you remember sweet Betsy from Pike,
Who crossed the wide prairie with her lover Ike,
With two yoke of oxen, a big yellow dog,
A tall Shangai rooster, and one spotted hog?

CHORUS:
Singing dang fol dee dido,
Singing dang fol dee day.

One evening quite early they camped on the Platte.
'Twas near by the road on a green shady flat.
Where Betsy, sore-footed, lay down to repose --
With wonder Ike gazed on that Pike County rose.

The Shanghai ran off, and their cattle all died;
That morning the last piece of bacon was fried;
Poor Ike was discouraged and Betsy got mad,
The dog drooped his tail and looked wondrously sad.

They stopped at Salt Lake to inquire of the way,
Where Brigham declared that sweet Betsy should stay;
But Betsy got frightened and ran like a deer
While Brigham stood pawing the ground like a steer.

They soon reached the desert where Betsy gave out,
And down in the sand she lay rolling about;
While Ike, half distracted, looked on with surprise,
Saying, "Betsy, get up, you'll get sand in your eyes."

Sweet Betsy got up in a great deal of pain,
Declared she'd go back to Pike County again;
But Ike gave a sigh and they fondly embraced,
And they traveled along with his arm round her waist.

The Injuns came down in a wild yelling horde,
And Betsy was scared they would scalp her adored;
Behind the front wagon wheel Betsy did crawl,
And there fought the Injuns with musket and ball.

They suddenly stopped on a very high hill,
With wonder looked down upon old Placerville;
Ike sighed when he said, and he cast his eyes down,
"Sweet Betsy, my darling, we've got to Hangtown."

Long Ike and Sweet Betsy attended a dance;
Ike wore a pair of his Pike County pants;
Sweet Betsy was dressed up in ribbons and rings;
Says Ike, "You're an angel, but where are your wings?"

'Twas out on the prairie one bright starry night,
They broke out the whiskey and Betsy got tight,
She sang and she howled and she danced o'er the plain,
And showed her bare legs to the whole wagon train.

The terrible desert was burning and bare,
And Isaac he shrank from the death lurkin' there,
"Dear old Pike County, I'll come back to you."
Says Betsy, "You'll go by yourself if you do."

They swam wild rivers and climbed the tall peaks,
And camped on the prairies for weeks upon weeks,
Starvation and cholera, hard work and slaughter,
They reached Californy, spite of hell and high water.

A miner said, "Betsy, will you dance with me?"
"I will, you old hoss, if you don't make too free.
But don't dance me hard, do you want to know why?
Doggone ye, I'm chock full of strong alkali."



Long Ike and Sweet Betsy got married, of course,
But Ike, getting jealous, obtained a divorce,
While Betsy, well satisfied, said with a shout,
"Goodbye, you big lummox, I'm glad you backed out!" 

Sweet Betsy from Pike








Saturday, 15 February 2025

Sometimes I Feel Like a Motherless Child

 "Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional spiritual. It dates back to the era of slavery in the United States.

An early performance of the song was in the 1870s by the Fisk Jubilee Singers. Commonly heard during the Civil rights movement in the United States, it has many variations and has been recorded widely. 

The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from its parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer does not feel like a motherless child. 

Like many other African American spirituals, this song conveys the sadness that many enslaved people felt at being such a “long way from home,” both in the sense of being far away from their native Africa and in the sense of being forcibly separated from family and friends. 

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:

Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
A long way from home, a long way from home

Sometimes I feel like I'm almost done
Sometimes I feel like I'm almost done
Sometimes I feel like I'm almost done
And a long, long way from home, a long way from home

True believer
True believer
A long, long way from home
A long, long way from home








Saturday, 8 February 2025

Skip To My Lou

 "Skip to My (The) Lou" (Roud 3433) is a popular American folk song and partner-stealing dance from the 1840s.

Carl Sandburg, poet and biographer of President Abraham Lincoln, writes that "Skip-to-my-Lou" was a popular party game in Lincoln's youth in southern Indiana, with verses such as "Hurry up slow poke, do oh do", "I'll get her back in spite of you", "Gone again, what shall I do", and "I'll get another girl sweeter than you".

John A. and Alan Lomax wrote that "Skip to My Lou" was a simple game of stealing partners (or swapping partners as in square dancing). It begins with any number of couples skipping hand in hand around in a ring. A lone boy in the center of the moving circle of couples sings, "Lost my partner, what'll I do?" as the girls whirl past him. The young man in the center hesitates while he decides which girl to choose, singing, "I'll get another one just like you." When he grasps the hand of his chosen one, the latter's partner moves to the center of the ring. It is an ice-breaker, providing an opportunity for the participants to get acquainted with one another and to get into a good mood. "Skip to My Lou" is no. 3593 in the Roud Folk Song Index.

S. Frederick Starr suggests that the song may be derived from the Creole folksong "Lolotte Pov'piti Lolotte", to which it has a strong resemblance. See also "La Savane", which is based on the Creole song.

The "lou" in the title comes from the word "loo", a Scottish word for "love". 

"Skip to My Lou" was featured in the 1944 film Meet Me in St. Louis. Sections of the song arranged by Hugh Martin and Ralph Blane are sung to the tunes of "Kingdom Coming" and "Yankee Doodle". In the 1951 film Across the Wide Missouri it is sung by Clark Gable (while playing a Jew's Harp) and others throughout the movie. In the classic Western The Searchers (1956), Ken Curtis uses the song to serenade Vera Miles. In the film, Pee Wee's Big Adventure (1985), Pee Wee is slowly driven to distraction by an old man riding box car, who will not stop singing verse after verse of the song.

The song has been recorded by various artists including Lead BellyPete SeegerJudy GarlandNat King ColeElizabeth MitchellThe Blue Sky BoysDickie Bishop and His Sidekicks, and Dale Warland Singers, among others. The song remains a favorite piece performed by various classic choirs with a popular arrangement by Paul Busselberg.

The song has been adapted to dancehall by various Jamaican artists. In 2009, it was released by QQ featuring Ding Dong in a College Boiz Productions release. In 2010, the Jamaican dancehall artist Serani released another version of the song under the title "Skip to My Luu" featuring Ding Dong, and a second version that in addition to Ding Dong also included Raz n Biggy with additional lyrics. In 2011, RDX released a dancehall reggae adaptation titled "Skip".

In the Thomas & Friends fourth series episode "Peter Sam & The Refreshment Lady", Peter Sam sings "I'm Peter Sam I'm running this line" which has a similar melody. 

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics
Lost my partnerWhat'll I do?Lost my partnerWhat'll I do?Lost my partnerWhat'll I do?Skip to my lou, my darlin'
Skip, skip, skip to my LouSkip, skip, skip to my LouSkip, skip, skip to my LouSkip to my Lou, my darlin'
I'll get another onePrettier than youI'll get another onePrettier than youI'll get another onePrettier than youSkip to my Lou, my darlin'
Skip, skip, skip to my LouSkip, skip, skip to my LouSkip, skip, skip to my LouSkip to my Lou, my darlin'
Can't get a red birdJay bird'll doCan't get a red birdJay bird'll doCan't get a red birdJay bird'll doSkip to my Lou, my darlin'
Skip, skip, skip to my LouSkip, skip, skip to my LouSkip, skip, skip to my LouSkip to my Lou, my darlin'







Saturday, 1 February 2025

Thick of It

 Thick Of It, originally performed by KSI, Trippie Redd, the musical genre of this composition is Pop, Rap.

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:

I'm in the thick of it, everybody knowsThey know me where it snows, I skied in and they frozeI don't know no nothin' 'bout no ice, I'm just coldForty somethin' milli' subs or so, I've been told
I'm in my prime and this ain't even final formThey knocked me down, but still, my feet, they find the floorI went from living rooms straight out to sold-out toursLife's a fight, but trust, I'm ready for the war
Woah-oh-ohThis is how the story goesWoah-oh-ohI guess this is how the story goes
I'm in the thick of it, everybody knowsThey know me where it snows, I skied in and they frozeI don't know no nothin' 'bout no ice, I'm just coldForty somethin' milli' subs or so, I've been told
From the screen to the ring, to the pen, to the kingWhere's my crown? That's my blingAlways drama when I ringSee, I believe that if I see it in my heartSmash through the ceiling 'cause I'm reachin' for the stars
Woah-oh-ohThis is how the story goesWoah-oh-ohI guess this is how the story goes
I'm in the thick of it, everybody knowsThey know me where it snows, I skied in and they froze (woo)I don't know no nothin' 'bout no ice, I'm just coldForty somethin' milli' subs or so, I've been told
Highway to heaven, I'm just cruisin' by my lone'They cast me out, left me for dead, them people coldMy faith in God, mind in the sun, I'm 'bout to sow (yeah)My life is hard, I took the wheel, I cracked the code (yeah-yeah, woah-oh-oh)Ain't nobody gon' save you, man, this life will break you (yeah, woah-oh-oh)In the thick of it, this is how the story goes
I'm in the thick of it, everybody knowsThey know me where it snows, I skied in and they frozeI don't know no nothin' 'bout no ice, I'm just coldForty somethin' milli' subs or so, I've been toldI'm in the thick of it, everybody knows (everybody knows)They know me where it snows, I skied in and they froze (yeah)I don't know no nothin' 'bout no ice, I'm just coldForty somethin' milli' subs or so, I've been told (ooh-ooh)

Woah-oh-oh (nah-nah-nah-nah, ayy, ayy)This is how the story goes (nah, nah)Woah-oh-ohI guess this is how the story goes





Saturday, 25 January 2025

World Outside Your Window

 The song “World Outside Your Window” by Hillsong Young & Free is a powerful reminder of the importance of living out our faith and sharing the good news of reminder of the importance of living out our faith and sharing the good news of Jesus with the world. The lyrics call us to lift our hands to the heavens and our voices to the sky, praising the God of all creation and letting His name be lifted high. This is a reminder of the words of Jesus in Matthew 28:19-20, "Go therefore and make disciples of all nations, and baptizing them in the name of the Father and of the Son and of the Holy Spirit, teaching them to observe all that I have commanded you." We are called to be witnesses of the gospel and to share the good news of Jesus with the world. 

To download the easy alphanotes sheet music, look here. Enjoy!

Lyrics:

Oh, oh-oh-ohOh-oh-oh-oh-ohOh-oh-oh, oh-oh-oh-oh
Oh, oh-oh-ohOh-oh-oh-oh-ohOh-oh-oh, oh-oh-oh-oh
There's a song that stirs the spiritAnd it calls the heart to lifeIt's an anthem in the makingCan you feel it start to rise?
Can you hear the generationsGetting louder over time?Every son and every daughterSinging out into the night
It's not time to be silentDon't you dare hide your lightThere's a world outside your windowSo don't let it pass you by
Lift your hands to the heavensLift your voice to the skyPraise the Lord of all creationLet His name be lifted high
SingingOh, oh-oh-ohOh-oh-oh-oh-ohOh-oh-oh, oh-oh-oh-oh
From the famous to the facelessFrom the palace to the streetsI can feel that drumbeat pulsingAnd it's calling you and me
I can hear the world awakenOh, the sound is heavenlyEvery tribe and every nationSinging, "Jesus, I believe" (c'mon)
It's not time to be silentDon't you dare hide your lightThere's a world outside your windowSo don't let it pass you by
Lift your hands to the heavensLift your voice to the skyPraise the Lord of all creationLet His name be lifted high
SingingOh, oh-oh-ohOh-oh-oh-oh-ohOh-oh-oh, oh-oh-oh-oh(Oh, sing it with all that you got)
SingingOh, oh-oh-ohOh-oh-oh-oh-ohOh-oh-oh, oh-oh-oh-oh
See the world light up, one heart at a timeSee the strongholds break in a blink of an eyeDeath and all our sin, nowhere in sightFor the Lord, He is alive
See the lost return from the dead of the nightEvery captive freed, every chain left behindHave you ever seen such a beautiful sight?All the world coming alive
See the world light up, one heart at a timeSee the strongholds break in a blink of an eyeDeath and all our sin, nowhere in sightFor the Lord, He is alive
See the lost return from the dead of the nightEvery captive freed, every chain left behindHave you ever seen such a beautiful sight?(It's on your freedom, let's clap) all the world coming alive
Oh, oh-oh-ohOh-oh-oh-oh-oh (can you feel it?)Oh-oh-oh, oh-oh-oh-oh (can you feel it?)
SingingOh, oh-oh-ohOh-oh-oh-oh-ohOh-oh-oh, oh-oh-oh-oh (sing it again)
It's not time to be silentDon't you dare hide your lightThere's a world outside your windowSo don't let it pass you by
Lift your hands to the heavensLift your voice to the skyPraise the Lord of all creationLet His name be lifted high










Saturday, 18 January 2025

Scarborough Fair

 Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.

The famous melody was collected from Mark Anderson (1874–1953), a retired lead miner from Middleton-in-TeesdaleCounty Durham, England, by Ewan MacColl in 1947. This version was recorded by a number of musicians in the 20th century, including the most iconic version by the 1960s folk rock duo Simon & Garfunkel, who learned it from Martin Carthy. However, a slightly different version (referred to as "The Cambric Shirt", or "Parsley, Sage, Rosemary and Thyme") was recorded by John Lomax decades earlier in 1939 in the United States. 

The lyrics of "Scarborough Fair" appear to have something in common with a Scottish ballad titled "The Elfin Knight", collected by Francis James Child as Child Ballad #2, which has been traced as far back as 1670. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task ("For thou must shape a sark to me / Without any cut or heme, quoth he"); she responds with a list of tasks that he must first perform ("I have an aiker of good ley-land / Which lyeth low by yon sea-strand").

Dozens of versions existed by the end of the 18th century. A number of older versions refer to locations other than Scarborough Fair, including Wittingham Fair, Cape Ann, "twixt Berwik and Lyne", etc. Many versions do not mention a place name and are often generically titled ("The Lovers' Tasks", "My Father Gave Me an Acre of Land", etc.).

The references to the traditional English fair "Scarborough Fair", and the refrain "parsleysagerosemary, and thyme", date to 19th-century versions, and may have been borrowed from the ballad Riddles Wisely Expounded (Child Ballad #1), which has a similar plot. 

The lyrics, as published by Frank Kidson, begin:

"O, where are you going?" "To Scarborough fair,"
    Savoury, sage, rosemary, and thyme;
"Remember me to a lass who lives there,
    For once she was a true love of mine.

"And tell her to make me a cambric shirt,
    Savoury, sage, rosemary, and thyme,
Without any seam or needlework,
    And then she shall be a true love of mine.

"And tell her to wash it in yonder dry well,
    Savoury, sage, rosemary, and thyme,
Where no water sprung, nor a drop of rain fell,
    And then she shall be a true love of mine."

— Stanzas 1–3

The oldest versions of "The Elfin Knight" (circa 1650) contain the refrain "my plaid away, my plaid away, the wind shall not blow my plaid away." Slightly more recent versions often contain one of a group of related refrains:

  • "Sober and grave grows merry in time"
  • "Every rose grows merry with time"
  • "There's never a rose grows fairer with time"
  • "Whilst every grove rings with a merry antine"

These are usually paired with "Once (s)he was a true love of mine" or some variant. "Parsley, sage, rosemary and thyme" may simply be an alternate rhyming refrain to the original based on a corruption of "grows merry in time" into "rosemary and thyme." 

Early audio field recordings of the ballad include the following examples:


To download the easy alphanotes sheet music, look here. Enjoy!








Saturday, 11 January 2025

Shoo Fly, Don't Bother Me

 Shoo Fly, Don't Bother Me or Shew! fly, don't bother me is a minstrel show song from the 1860s that has remained popular since that time. It was sung by soldiers during the Spanish–American War of 1898, when flies and the yellow fever mosquito were a serious enemy. Bing Crosby included the song in a medley on his album Join Bing and Sing Along (1959). Today, it is commonly sung by children, and has been recorded on many children's records, including Disney Children's Favorite Songs 3, performed by Larry Groce and the Disneyland Children's Sing-Along Chorus. 

The song became popular on the minstrel stage in 1869, and several claims have been made for its composition. An anonymously written 1895 New York Herald article on the history of minstrel show dancing gave this history:

'Shoo-Fly' is said to have come originally from the Isthmus of Panama, where the black people sang 'Shoo Fly' and 'Don't Bodder Me' antiphonally while at their work. A black person from there, Helen Johnson, took it first to California and taught the song to 'Billy' Birch [a performer with the San Francisco Minstrels troupe]. ‘Dick’ Carroll and others also had versions of it which they performed. Delehanty and Hengler had theirs, too, and used to sing it as an encore with Bryant’s Minstrels, slipping on old dresses over their heads in the interim of the score. It was from hearing them that ‘Dave’ [Reed] and ‘Dan’ [Bryant] fancied the song. ‘Dave’ fixed it up with a dance, and original version thereof. It was rehearsed secretly, and when the time came they ‘sprang it’ on ‘the boys’ of the company one evening in public, with ‘Come and Kiss Me’ as an encore. It was a howling success from the start, and ‘Dan’ Bryant had printed the next day at the Herald office twenty thousand notices, which he gave to the company and others to scatter about the town wherever they went. Horse shoes with a fly on them were put in odd and conspicuous places, even on the telegraph wires, and in no time the public was crazy over the act and 'business was great.' E.M. Hall has a version with a more elaborate and an excellent chorus, ending 'Shoo Fly, &c., "Go 'way, fly, I'll cut your wing.”' 

 Theater historian Eugene Cropsey also credited Dan Bryant with introducing the song to the public in October, 1869. The version sung by Bryant's Minstrels served, in 1869, as the title number in Dan Bryant’s Shoo Fly Songster.

"Shoo Fly" is among the songs ("John Brown's Body" is another) claimed as compositions by T. Brigham Bishop. According to Bishop's account, he wrote "Shoo Fly, Don't Bother Me" during the Civil War while assigned to command a company of black soldiers. One of the soldiers, dismissing some remarks of his fellow soldiers, exclaimed "Shoo fly, don't bother me," which inspired Bishop to write the song, including in the lyrics the unit's designation, "Company G". Bishop claimed that the song was "pirated" from him, and that he made little money from it. Bishop published a sheet music version of the song in 1869 (White, Smith & Perry). That version includes the caption, "Original Copy and Only Authorized Edition."

Other sources have credited Billy Reeves (lyrics) and Frank Campbell, or Rollin Howard, with the song. An early publication appeared as "Shew! Fly, Don't Bother Me. Comic Song and Dance or Walk Round. Sung by Cool Burgess and Rollin Howard, melody by Frank Campbell, words by Billy Reeves, arr. by Rollin Howard." 

During a dinner table scene in the 1992 teen comedy Encino Man, Stoney Brown (Pauly Shore) quietly sings "Shoo Fly" while Link (Brendan Fraser) tracks a fly around the room.

It has been used in Tuneland with a flying shoe.

The song was sing as one of the songs in Walter Lantz’ Oswald the Lucky Rabbit cartoon, “Alaska”.

It is featured in the 1935 Betty Boop cartoon Swat the Fly.

It was frequently employed as background music in classic Looney Tunes, as well as modern-day Warner Bros. series such as AnimaniacsSylvester and Tweety Mysteries, and Pinky, Elmyra and The Brain.

In the 1994 movie "Maverick", starring Mel Gibson and Jodie Foster the song is being played by the brass band on the Lauren Belle riverboat prior to the big card game. (1hr 19mins into the movie).

The song was included in one of the jukebox songs in the edutainment PC game, Jumpstart 2nd Grade.

In the 1998 Disney/Pixar film A Bug's Life, Francis the Ladybug references the song's title.

The Australian children's show Play School recorded a version for the albums There's A Bear In There, sung by Noni Hazlehurst, and In The Car, sung by John Hamblin

To download the easy alphanotes sheet music, look here. Enjoy!