Showing posts with label anthem. Show all posts
Showing posts with label anthem. Show all posts

Sunday, 24 October 2021

Cockles and Mussels / Molly Malone

"Molly Malone" (also known as "Cockles and Mussels" or "In Dublin's Fair City") is a popular song set in Dublin, Ireland, which has become its unofficial anthem.

A statue representing Molly Malone was unveiled on Grafton Street by then Lord Mayor of Dublin, Ben Briscoe, during the 1988 Dublin Millennium celebrations, when 13 June was declared to be Molly Malone Day. In July 2014, the statue was relocated to Suffolk Street, in front of the Tourist Information Office, to make way for Luas track-laying work at the old location.

The song tells the fictional tale of a fishwife who plied her trade on the streets of Dublin and died young, of a fever. In the late 20th century, a legend grew up that there was a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and part-time prostitute by night. In contrast, she has also been portrayed as one of the few chaste female street hawkers of her day.

There is no evidence that the song is based on a real woman in the 17th century or any other time. The name "Molly" originated as a familiar version of the names Mary and Margaret. Many such "Molly" Malones were born in Dublin over the centuries, but no evidence connects any of them to the events in the song. Nevertheless, the Dublin Millennium Commission in 1988 endorsed claims made for a Mary Malone who died on 13 June 1699, and proclaimed 13 June to be "Molly Malone Day".

The song is not recorded earlier than 1876, when it was published in BostonMassachusetts. Its placement in the section of the book titled "Songs from English and German Universities" suggests an Irish origin. It was also published by Francis Brothers and Day in London in 1884 as a work written and composed by James Yorkston, of Edinburgh, with music arranged by Edmund Forman. The London edition states that it was reprinted by permission of Kohler and Son of Edinburgh, implying that the first edition was in Scotland, but no copies of it have been found. According to Siobhán Marie Kilfeather, the song is from the music hall style of the period, and one cannot wholly dismiss the possibility that it is "based on an older folk song", but "neither melody nor words bear any relationship to the Irish tradition of street ballads". She calls the story of the historical Molly "nonsense". The song is in a familiar tragicomic mode that was then popular and was probably influenced by earlier songs with a similar theme, such as Percy Montrose's "Oh My Darling, Clementine", which was written in about 1880.

A variant, "Cockles and Mussels", with some different lyrics, appeared in Students' Songs: Comprising the Newest and Most Popular College Songs As Now Sung at Harvard, Yale, Columbia, ... Union, Etc in 1884.

A copy of Apollo's Medley, dating from around 1790, published in Doncaster and rediscovered in 2010, contains a song referring to "Sweet Molly Malone" on page 78 that ends with the line "Och! I'll roar and I'll groan, My sweet Molly Malone, Till I'm bone of your bone, And asleep in your bed." Other than this name and the fact that she lives in Howth, near Dublin, this song bears no resemblance to Molly Malone. The song was later reprinted in the collection The Shamrock: A Collection of Irish Songs (1831) and was published in The Edinburgh Literary Journal that year with the title "Molly Malone".

Some elements of the song appear in several earlier songs. A character named Molly Malone appears in at least two other songs. The song "Widow Malone," published as early as 1809, refers to the title character alternately as "Molly Malone," "Mary Malone" and "sweet mistress Malone". An American song, "Meet Me Miss Molly Malone", was published as early as 1840. The song "Pat Corney's Account of Himself", published as early as 1826, begins, "Now it's show me that city where the girls are so pretty" and ends, "Crying oysters, and cockles, and Mussels for sale." During the 19th century, the expression "Dublin's fair city" was used regularly in reference to Dublin, and the phrase "alive, alive O" is known to have been shouted by street vendors selling oysters, mussels, fish and eels.  

Molly is commemorated in a statue commissioned by Jurys Hotel Group and designed by Jeanne Rynhart, erected to celebrate the city's first millennium in 1988. Originally placed at the bottom of Grafton Street in Dublin, this statue is known colloquially as "The Tart with the Cart" or "The Trollop With The Scallop(s)". The statue portrays Molly as a busty young woman in 17th-century dress. Her low-cut dress and large breasts were justified on the grounds that as "women breastfed publicly in Molly's time, breasts were popped out all over the place."

The statue was later removed and kept in storage to make way for the new Luas tracks. In July 2014, it was placed outside the Dublin Tourist Office on Suffolk Street. 

To download the easy alphanotes and chords sheet music, look here. Enjoy!


Lyrics:


In Dublin's fair city,
Where the girls are so pretty,
I first set my eyes on sweet Molly Malone,
As she wheeled her wheel-barrow,
Through streets broad and narrow,
Crying, "Cockles and mussels, alive, alive, oh!"
"Alive, alive, oh,
Alive, alive, oh,"
Crying "Cockles and mussels, alive, alive, oh".
She was a fishmonger
But sure 'twas no wonder
For so were her father and mother before
And they each wheel'd their barrow
Through streets broad and narrow
Crying "Cockles and mussels alive, alive oh!"
(chorus)
She died of a fever,
And no one could save her,
And that was the end of sweet Molly Malone.
But her ghost wheels her barrow,
Through streets broad and narrow,
Crying, "Cockles and mussels, alive, alive, oh!"
(chorus) ×2 


























Thursday, 22 July 2021

Come, Holy Spirit

"Come, Holy Spirit" is a classic inspirational song from the late John W. Peterson, this anthem pleads for God's spirit to lead and guide us now as in the times of the great revivals. This new arrangement is respectful of Mr. Peterson's legacy and contains a pertinent message for the modern church. 

A classic inspirational song from the late John W. Peterson is crafted into an evocative anthem that takes the words of his dramatic Pentecost song of praise and lifts it to new expressive levels. A chronicle of the Christian church, this anthem pleads for God's Spirit to lead and guide us now as in the times of the great revivals. This is a pertinent message for the modern church and its mission. This choral challenge is a true sermon in song.

John Willard Peterson (November 1, 1921 – September 20, 2006) was a songwriter who had a major influence on evangelical Christian music in the 1950s through the 1970s. He wrote over 1000 songs, and 35 cantatas.

Born in Lindsborg, Kansas, he served as an Army Air Force pilot flying the China Hump during World War II. Later, he attended Moody Bible Institute and served on the radio staff there for a number of years.

In 1953, he graduated from the American Conservatory of Music in Chicago and shortly thereafter settled in Pennsylvania to continue his songwriting career. He then moved to Grand Rapids, Michigan, where for over ten years he was President and Editor-in-Chief of Singspiration, a sacred music publishing company. While there, he compiled and edited a hymnal called "Great Hymns of the Faith", (c) 1961. He also served on the board of Gospel Films, Inc. of Muskegon, Michigan.

He also had direct contact with popular Christian musicians of the day such as Bill Pearce and Dick Anthony. He resided in Scottsdale, Arizona, where he continued to write music. Peterson died September 20, 2006, aged 84, following a bout with prostate cancer.

Some of his more popular song titles include "It Took a Miracle", "Over the Sunset Mountains", "Heaven Came Down", "So Send I You", "Springs of Living Water", "Jesus is Coming Again", "Surely Goodness and Mercy", "This is the day that the Lord hath made" and "O Glorious Love". His cantatas include Night of Miracles and Down From His Glory.

In 1986, he was inducted into the Gospel Music Hall of Fame.


To download the easy alphanotes and chords sheet music, look here. Enjoy!


Come, Holy Spirit

The Holy Spirit came at Pentecost
He came in mighty fullness then
His witness through believers won the lost
And multitudes were born again.

The early Christians scattered o’er the world
They preached the gospel fearlessly
Tho’ some were martyred and to lions hurled
They marched along in victory

Chorus
Come, Holy Spirit, dark is the hour
We need your filling
Your love and your mighty power
Move now among us stir us we pray
Come, Holy Spirit revive the church today

Then in an age when darkness gripped the earth
The just shall live by faith was learned
The Holy Spirit gave the church new birth
As reformation fires burned.

In later years the great revivals came
When saints would seek the Lord and pray
O once again we need that holy flame
To meet the challenge of today

Chorus
Come, Holy Spirit, dark is the hour
We need your filling
Your love and your mighty power
Move now among us stir us we pray
Come, Holy Spirit revive the church today
.
Come, Holy Spirit, dark is the hour
We need your filling
Your love and your mighty power
Move now among us stir us we pray
Come, Holy Spirit . . .
Revive the church today

Revive the church today
Revive the church today!

                         





















Thursday, 1 July 2021

Love Came Down at Christmas

 Love Came Down at Christmas is a choral folk anthem written by Roger Copeland. Drawing on familiar faith stories from the Old Testament in the Bible, this text by J. Pa ul Williams lists only a few of the many before us who have walked by faith an d encourages us to do the same. Joel Raney s original melody, set in minor mod e with steadfast rhythm and progressive modulations between each of the verses , escalates the excitement up to the very end. 

To download the easy alphanotes and chords sheet music, look here. Enjoy! 

Lyrics 

1.Love came down at Christmas,  
Love, all love divine;
Love came down at Christmas, 
And I know, I know that love is mine.

2.Love was in a manger, 
In a cattle stall,
Ans while angels hovered,
Love was born to be the King of all.

Bridge:
The shepherds heard the choirs of angels,
The wise men saw a distant light; 
They found the wonder they were searching for,
And worshipped Him that holy night.

3.Love came down at Christmas,
Love, all love divine;
Love came down at Christmas, 
And I know, I know that love is mine.